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She asked me for help and we began developing the idea together.
Early on, she mentioned that her disbelief in the idea of love was a big part of why she wanted to explore the topic and I felt that was an important element to include.
And we occasionally had to rewrite the scenes on the spot to keep things feeling as organic as possible, so the story was constantly evolving.
We broke our own rules once or twice, but for the most part those scenes were shot exactly like the documentary sections.
Did making Paper Heart change your own perceptions of the concept???
In the interview, he seemed extremely confident in his ideas on true love and who he shared it with.
But later, when he tells us his story of nearly dying, I felt like he was realizing on camera that maybe he was wrong.
NJ: It was difficult because we wanted the fictional elements to feel as realistic as the documentary elements—or as close as possible—so we used a limited amount of setups and mostly natural lighting, mimicking the two-camera approach we had used on the doc portions.
We had the actors improvise the scenes off of an outline and kept the number of takes to a minimum.